Getting your profiles verified offers more than just validation, but it definitely does feel exciting! Generally, the main networks to be looking at getting verified on are Apple Music, Spotify, Facebook and Twitter. In this article we’ll give you a brief but informative guide on how to get verified on each of these platforms.
Apple Music verification requires you to log into Apple Connect using your Apple ID. From here, you must select the type of content you’d like to manage. Next, you can add an artist/label. It is recommended that you add your artist/label page URL from the iTunes Store on your browser to avoid any confusion. Generally, it takes 7-10 business days to process the request, and so making sure you have the right page before you submit your request can save you a lot of time.
Over on Spotify, there are different routes depending on what you want to verify. For artists – head over to artists.spotify. For labels – you must have at least 250 followers, have music currently appearing on the service and a working user profile that is not merged with an artist page. If you can prove this, then the next step to verification is to fill out this form. If eligible, your verification should be within two weeks.
To get the blue tick on Facebook, go to the top of your page and follow: Settings – General – Page Verification. The process asks you to provide a publicly listed phone number, your country and language and for Facebook to call you. The call will give you a 4-digit code to verify yourself.
For Twitter verification, the blue bird asks quite simply that you fill out this form. Like the other platforms, Twitter insists that you meet their small list of requirements, which can be found here).
Songwriting is truly an art form. Capturing a story using words and music and portraying that to an audience can be difficult, especially those beginning moments when you are faced with that blank page staring back at you! But there are a few things to think of that may make it a little easier…
Think about it a little less literally
For example, a song is like a conversation. There are certain elements that dictate how this conversation is played out and perceived. You know the words you want to say but the way you say it can change how it is perceived:
You may have lyrics written down and can’t decide what melody to go for: If you’re in a conversation and saying something upsetting, you wouldn’t laugh about it… If you’ve written sad lyrics it may not make sense to sing in a minor key if you want to get that feeling across!
You may have a melody but can’t think of lyrics: if you’re in a happy environment such as a celebration for a friend, you wouldn’t want to bring that down by starting an argument with someone. The melody is like the environment… how does the melody make you feel? Channel that into words to figure out what topic suits the melody.
Songwriting is a form of storytelling
If you are telling a family member about something that happened to you at work, for example, that story might become more refined the next time to you tell it to someone. And over time, the more you talk about it, you find the parts of the story you don’t particularly need to be able to get to the point so you cut those out. Or you find that certain parts aren’t making sense so you add more detail. You can do this when songwriting by performing your song again and again. You’ll find parts of it that don’t quite sound or feel right and then you can change this. You won’t fully understand what direction the song is taking or needs to take until you sit and just belt it out! Nothing is final until it is recorded, so use the time to your advantage.
To get your ideas flowing you need to get out of your head
Try not to worry about what you think others want from you or what you think is right to do… what do you want to write about?! What is important to you? What is going on in your life that you can draw on? Also, don’t get bogged down in writing for particular genres, it’s okay to be diverse in your songwriting if that’s how you feel at the time. If you write for other people’s pleasure, not your own, then you may never be happy with what you’re doing. It’s important to be genuine in this industry… again, like a conversation, people value honesty and can spot when you’re not being genuine with them. So don’t take that negative energy into your songs.
Always be songwriting
Don’t restrict your songwriting time for when you decide one day that you’re going to sit down and write a song. Carry a small notepad with you everywhere you go! Some of your best ideas will probably come when you’re not actively thinking of song ideas e.g. in your sleep, when you’re inspired by other music, when you see something while walking in the street or driving around. Anywhere! If you have nowhere to note these ideas down then you could forget them as quickly as you’ve thought of them. It doesn’t have to be a full verse or chorus or full topic for a song, it could be a word or sentence or even an image. Just something that later you will look at and think “thank god I wrote that down! I know what to write about now…”
There is no one way to write a song. Some people prefer to write melody first, some people prefer to write lyrics first. Some people do both at the same time! Find what works for you but remember that it’s okay to take your time and be selfish! Do what is right for you, not everyone else. Obviously there is the small exception of when you are writing a song to a brief, but songwriters that do this still have their own personality that they bring to the song. So it still stands… find your own voice or interpretation of a brief and bring that to any work you are doing!
Written by Help For Bands, who provide free impartial advice and monthly music industry opportunities through their newsletter.
Their new joint venture will begin around July 2017 and will be based in Mercury Place.
Here at Horus Music we are very excited about this move to join us in Leicester. This has been our home for almost 10 years now and amongst the vibrant music that is played here we enjoy the Midland Mainline service meaning it takes us less than an hour to get into London city centre; less time than many those that are based around London itself.
We have been partners with both PRS for Music and PPL for many years, and we have seen the benefits that their service provides to our many independent artists and record label clients, which includes the licensing of musical composition and lyrics on behalf of songwriters, composers and publishers as well as the licensing of recorded music for record companies and performers which is played in public or in digital media.
CEO and Managing Director of Horus Music, Nick Dunn, adds: We’re very happy to see that more and more companies are realising that there are opportunities for business, especially in the music industry, that are available outside of London and have the additional benefit of being both financially and environmentally friendly. We welcome PPL and PRS for Music to such a diverse and growing city.”
Everyone at Horus Music looks forward to many more years of a successful partnership with both of these companies and hope that our relationship with grow even further as we work together in the city of Leicester to help the musicians, songwriters and record labels of Leicestershire and beyond.